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Tuesday, November 10, 2015

"SPY" LATEST ENGLISH MOVIE (2015)




A desk- bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms  dealer and prevent diabolical global disaster

Director : paul feig
Writer : paul feig
Stars : Melissa McCarthy, Rose byrne, Jude Law ……..see full cast and crew 

Storyline
Susan Cooper is an unassuming, deskbound CIA analyst, and the unsung hero behind the Agency's most dangerous missions. But when her partner falls off the grid and another top agent is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer, and prevent a global crisis. Written by 20th Century Fox 

 Reviews


Those who are familiar with the fruits of Paul Feig - Melissa McCarthy cooperation, should be prepared for the basic atmosphere and joke objects. Yes, there is again some vulgarity and focusing on appearance, but thanks to good pranks targeted on "serious" spy films and elaborated characters and performances (valid for all main cast beginning from Melissa McCarthy as Susan Cooper and ending with Verka Serduchka as Himself) bring forth multiple giggling moments.

The "thriller elements" are sophisticated as well, and a certain "duel" in a kitchen can be easily regarded as distinctive, as for related movies. Of course, not all scenes are smooth and meaningful and many McCarthy's character's "achievements" are evidently accomplished by stunts, but still: Spy is a good entertainment, with dozens of distinctive performances, and a good example that a well-nourished person can successfully manage in the leading role as well (btw, also in 2015, Forbes named McCarthy the third highest-paid actress in the world).

Sunday, November 8, 2015

FIFTY SHADES OF GREY (2015)



Literature student Anastasia steele’s life changes forever when she meets handsome, yet tormented, billionaire christain grey

Director:

 Sam Taylor-Johnson

Writers:

 Kelly Marcel (screenplay), E.L. James (novel)

Stars:

 Dakota Johnson, Jamie Dornan, Jennifer Ehle |See full cast and crew » 

Storyline

When Anastasia Steele, a literature student, goes to interview the wealthy Christian Grey as a favor to her roommate Kate Kavanagh, she encounters a beautiful, brilliant and intimidating man. The innocent and naive Ana starts to realize she wants him. Despite his enigmatic reserve and advice, she finds herself desperate to get close to him. Not able to resist Ana's beauty and independent spirit, Christian Grey admits he wants her too, but on his own terms. Ana hesitates as she discovers the singular tastes of Christian Grey - despite the embellishments of success, his multinational businesses, his vast wealth, and his loving family, Grey is consumed by the need to control everything.Written by MischaLeCroix

User Reviews

You simply can't make a silk purse out of a sow's ear. The book was unquestionably the worst piece of writing I'd ever encountered, so what the hell were they thinking in making this rubbish? Apart from the tedium of the plod (read plot), the script is cobbled together with hollow dialogue, countless use of retch-inducing signifiers and cliché, a complete lack of chemistry between the characters and predictable scenarios and outcomes at every turn. I got the feeling throughout the film that both these actors were desperate to get off the set, go home (but certainly to separate houses), drown their shared humiliation with a stiff drink or ten, and set fire to their contracts. Woeful book. Woeful film. Don't waste your money on this drivel. There are Fifty Reasons to STAY AWAY.

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BURNT (2015) LATEST ENGLISH MOVIE



Adam Jones (Bradley Cooper) is a Chef who destroyed his career with drugs and diva behavior. He cleans up and returns to London, determined to redeem himself by spearheading a top restaurant that can gain three Michelin stars.

Director: **

JOHN WELLS**

Writers:

 Steven Knight (screenplay), Michael Kalesniko(story)

Stars:

 Bradley Cooper, Sienna Miller, Daniel Brühl 




Storyline

Chef Adam Jones (Bradley Cooper) had it all - and lost it. A two-star Michelin rockstar with the bad habits to match, the former enfant terrible of the Paris restaurant scene did everything different every time out, and only ever cared about the thrill of creating explosions of taste. To land his own kitchen and that third elusive Michelin star though, he'll need the best of the best on his side, including the beautiful Helene (Sienna Miller).Written by Polly_Kat

The Theory of Everything (2014) English Movie



A look at the relationship between the famous physicist Stephen Hawking and his wife.

Director:

 James Marsh

Writers:

 Anthony McCarten (screenplay), Jane Hawking(book)

Stars:

 Eddie Redmayne, Felicity Jones, Tom Prior |See full cast and crew »

Storyline

The Theory of Everything is the story of the most brilliant and celebrated physicist of our time, Stephen Hawking, and Jane Wilde the arts student he fell in love with whilst studying at Cambridge in the 1960s. Little was expected from Stephen Hawking, a bright but shiftless student of cosmology, given just two years to live following the diagnosis of a fatal illness at 21 years of age. He became galvanized, however, by the love of fellow Cambridge student, Jane Wilde, and he went on to be called the successor to Einstein, as well as a husband and father to their three children. Over the course of their marriage as Stephen's body collapsed and his academic renown soared, fault lines were exposed that tested the lineaments of their relationship and dramatically altered the course of both of their lives. Written by Spencer Higham

 Reviews


You can certainly tell it's Oscar time when all the more dignified and personal projects inundate the movie houses in hopes of capturing the gold. For most of the other nine months, we get lesser efforts and big blockbuster spectacles to fill-in until late October arrives. Then, it's time to get serious about our cinema choices. The Theory of Everything is one such film. It carries its pedigree with style and class, even if it is a rather conventional biopic in disguise, with its main character suffering through a debilitating disease while finding the stamina to go on.

With a very literate screenplay by Anthony McCarten and accomplished direction by James Marsh, the film tells the story of famed scientist Stephen Hawking and his battle with ALS. It also concentrates on his relationship with his supportive and loving wife, Jane.

Love will conquer all. Or so it should. But the horrors of this disease and the hardships they face seem unsurmountable. We see the couple meet, fall in love, marry, have children, and grow weary of each other. Stephen achieves adoration, fame, and fortune while Jane takes a back seat to her caregiver role and bringing up the family, amid the tears and frustration they face on a daily basis. One immediately empathizes with these characters due to their tragic situations.

The two leads are splendid and their acting is peerless. Felicity Jones plays Jane. Her role may be less showy and far more understated, but the actress is perfect at showing Jane's endurance and strength in the subtlest of ways. Eddie Redmayne is Stephen Hawking and his performance is literally trans-formative. (He must have learned his craft from tons of research about Hawking and creative influence from Daniel Day Lewis.) This is an impressive physical performance, from his black horn rimmed glasses to his walking cane and distorted posture. Both will receive well-earned accolades for their memorable work. Fine supporting work by Charlie Cox as Jonathan, their loyal friend, and Simon McBurney as Stephen's father add more clarity to the film.

As with most biographical films, one sees the rise and fall of the protagonist before it arrives. This film follows that tries-and-true formula. But Marsh's direction compensates for the linear structure and predictability of the story. The director relies heavily on his actors' subtle actions to tell more about their characters than the mere words they speak. He also wisely shows Hawking's point of view by angling the camera range from a lower stance or keeping it stationary to reinforce the characters' immobility. The final scene, recapping Hawking's life in reverse, beautifully sums up Stephen's life full circle in the most visual of terms.

But The Theory of Everything is foremost a love story. The film desperately wants to be a crowd-pleaser with an uplifting message of inspiration, even when the reality and truth of their actual lives is bleaker than it appears on screen. The film glosses over some factual content to play up the human drama of this pair of young lovers. It skillfully manipulates its audience to wallow in the heartbreak. Director Marsh successfully capture the pangs of young love and bittersweet romance in this emotionally involving film.

The Theory of Everything is an immensely satisfying film with stand-out acting and skilled direction. The proof is right there on the screen, even if the facts are slightly askew. GRADE: B+

Brooklyn 2015 Canadian latest movies



An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a new romance. When her past catches up with her, however, she must choose between two countries and the lives that exist within.

Director:

 John Crowley

Writers:

 Nick Hornby (screenplay), Nick Hornby, 1 more credit »

Stars:

 Saoirse Ronan, Emory Cohen, Domhnall Gleeson |See full cast and crew »


Storyline

An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a new romance. When her past catches up with her, however, she must choose between two countries and the lives that exist within

User Reviews


Brooklyn is written by Nick Hornby and directed by John Crowley. It stars Saoirse Ronan, Emory Cohen, and Domhanall Gleeson.

An Irish immigrant lands in 1950's Brooklyn, where she quickly falls into a new romance. When her past catches up with her, however, she must choose between two countries and the lives that exist within.

This movie feels an awful lot like a Merchant Ivory movie, before they went downhill. This is probably the best period piece of the year simply because Brooklyn embraces the type of movie it is, whole heatedly.

Brooklyn, in my humble opinion, is a wrought melodrama that is equal parts quaint as it is provocatively made. This movie was made to be perfect and that might very well be its largest flaw. Though that thought is paradoxical, it is well founded. Aside from my minor griping, I did appreciate this movie in its entirety.

My personal favorite part of the movie, which I noticed from the very beginning, was the immaculate cinematography, done by Yves Bélanger. Though to the common movie goers eye it seems rather ordinary, but to me it was what made the movie so engaging. The gentile blend of light and dark colors inside and outside make the movie well worth seeing on the big screen in its own right, but what really got me was the deft mixing of colors at the dining scenes where the beauty of Saoirse Ronan was brought out through her, emphasized, kind smile and innocent eyes.

Speaking of the lead actress, Saoirse Ronan was impeccably cast in this movie. She plays her role magically and brings a lot to the metaphorical and literal table. She pulls off a role that people 3 times her age would have a hard time doing; given the fact that someone 3 times as old as her wouldn't be cast to play a 19 year old accountant. Ronan plays a sympathetic and quirky lead so well that she bring Ellis Lacey to life.

The same goes for Emory Cohen in his portrayal as Tony, Ellis' new Italian boyfriend in the States. The two make a remarkable pair, with phenomenal chemistry and finesse. Cohen plays a large part in this movie and understands that he needed to strike a perfect blend of desperation, love and believability.

The same can be said about Brooklyn's script and tender direction. The art of creating a drama is like walking a tight rope, filled with sharp and jagged edges known to all as clichés. This movie, for the most part, avoids these dreaded obstacles, by opting to slowly but surely build up its heady themes. Though this may be true, this, said, slow pace and structure can, at times, make the film feel uneventful, which may turn off some viewers. The lucky ones who do stick around are rewarded with a deeply emotionally resonant conclusion, much like the Merchant Ivory classics. Though most clichés are avoided, some were unfortunately injected into the plot, when writer, Nick Hornby, decided to occasionally over dramatize events in the movie. This at times feels desperate and at others feel just redundant, but nevertheless gets the message across to some degree.

Brooklyn is an old fashioned period piece that offers fine acting, beautiful cinematography, charming writing grounded in reality, and thought provoking direction. Brooklyn gets a B+ or 7/10.

Cinderella (2015) English Movie



When her father unexpectedly passes away, young Ella finds herself at the mercy of her cruel stepmother and her scheming step-sisters. Never one to give up hope, Ella's fortunes begin to change after meeting a dashing stranger.



Director:

Kenneth Branagh

Writer:

 
Chris Weitz (screenplay)

Stars:

Lily James, Cate Blanchett, Richard Madden |See full cast and crew »

Storyline

A girl named Ella (Cinderella) has the purest heart living in a cruel world filled with evil stepsisters and an evil stepmother out to ruin Ella's life. Ella comes one with her pure heart when she meets the prince and dances her way to a better life with glass shoes, and a little help from her fairy godmother, of course.

 Reviews

I felt the story of Cinderella was was beautifully done. The acting was just as it should be for a fairy tale. The colours and the magic vibrant. The actors and actresses played their parts wonderfully.

Taking a story and making it into a movie most times is difficult. How we have interpreted the story can be very different from what the director envisioned.

As a lover of all fairy tales I enjoyed the movie. I believe all little girls and even grown ups like me can appreciate how well they did with the movie.

Bitva za Sevastopol Movie



A woman who changed the course of history.

Director:

 Sergey Mokritskiy

Writers:

 Maksim Budarin, Maksim Dankevich, 3 more credits »

Stars:

 Yuliya Peresild, Evgeniy Tsyganov, Joan Blackham |See full cast and crew »

Storyline

The breakout of the war shatters the world of a young student, Lyudmila Pavlichenko, forcing her to enlist in the army in 1941. The maiden turns out to be a natural-born sniper, her impressive skill and prowess make her stand out among men and women alike. Seeing Pavlichenko as a tangible threat, the German High Command gives orders to eliminate the girl whatever the cost. In the meanwhile, Lyudmila meets a man and falls in love. War fades into the background... Soon, however, another misfortune befalls Lyudmila leaving the man she loves on the brink of death and herself seriously wounded. The girl is pulled out of combat and later goes to the United States with a publicity visit. Eleanor Roosevelt welcomes Lyudmila in the White House and the two women soon become close. It won't be long before Pavlichenko stands before an audience in Chicago pressing for a second front. Will her words have the capacity to change the course of war? Written by Anonymous

User Reviews

This is one of modern Russian movies made for the lowest common denominator. The plot and character motivations are over-the-top explained as if makers of the movie was very afraid someone at the very lowest end of intelligence scale will not understand everything. The main character is not likable and her background or motivations for being extremely reserved and grim person is never explained. Because of unsympathetic main character the whole movie is very hard to care about.

Battle scenes are very few for such a movie and serve as illustrations rather than plot points. Some of the things taken from modern combat and movies are just silly, like navy seals style training and collecting tags from sniped enemies. That simply did not happen at that time in history. Sniping scenes are very weak, especially when main character hold the rifle it visually wobbles a lot until she pulls the trigger and gets perfect shot. It's just laughable. There's a cliché sniper-vs-sniper standoff subplot which ends way too quick, and ends in confusing "Han Solo shot first" situation.

Also laughable are all the death scenes. Like actors came from some provincial theater and try to portray dying in a most over-the-top dramatic way.

Saturday, November 7, 2015

"The Dressmaker" best Australian Movie



A glamorous woman returns to her small town in rural Australia. With her sewing machine and haute couture style, she transforms the women and exacts sweet revenge on those who did her wrong.

Director:

 Jocelyn Moorhouse

Writers:

 Rosalie Ham (novel), P.J. Hogan, 1 more credit »

Stars:

 Kate Winslet, Liam Hemsworth, Hugo Weaving |See full cast and crew »

Storyline

Based on Rosalie Ham's best selling novel, The Dressmaker is the story of femme fatale Tilly Dunnage who returns to her small home town in the country to right the wrongs of the past. A stylish drama with comic undertones about love, revenge and haute couture.Written by Sue Maslin

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